The office was unveiled this week, initially employing 170 staff, 345 by the end of the year and 400 by 2019.
It will service eleven territories (Belgium, Denmark, Finland, Ireland, Luxembourg, the Netherlands, Norway, Poland, Romania, Sweden and the UK), and sit alongside Netflix’s existing Amsterdam based, which has doubled its workforce since the start of 2016.
“We are delighted to announce the creation of jobs in Europe and the opening of our new customer service hub in Amsterdam, as well as two new European original series. Europe is a creative centre for great storytelling that resonates around the world and we continue to invest in European content,” said Reed Hastings, Netflix co-founder and CEO.
Coming at the same time is a commitment from international originals VP Erik Barmack to commission “at least six new European original series to be announced before the end of 2017”.
The company claims to have spent more than US$1.75 billion on European productions since 2012, and has around 90 productions in various stages of development.
Last month, it launched its first Spanish series, Las Chicas del Cable, and announced German show Dogs of Berlin, which will debut next year.
Netflix has now ordered its second French original, a sci-fi drama set in a near-future Paris.
Osmosis will be an eight-part series that follows on from Netflix’s first Gallic drama, Marseille.
The series is based on an idea from Newen Group-owned Telfrance and Arte France, and is expected go into production next year.
Versailles coproducer Capa Drama,also part of Newen, will produce the series, with Aude Albano and Claude Chelli producing, and showrunner Audrey Fouché (Les Revenants) a co-creator.
Netflix noted Newen Distribution was “facilitating” the deal.
Osmosis will explore a near-future Paris in which a new dating app that finds matches with 100% accuracy to help people find their soul mates.
“In this eight episode series, the future I have imagined holds a mirror to present day mixing an eternal question – ‘what is love?’ – with ultra-technological answers, sometimes incredibly seducing, sometimes extremely dangerous,” said Fouché.
“As a young creator, Netflix offers an ideal platform to explore these very contemporary stories in an innovative way, which I am looking forward to sharing soon.”
Los Gatos-based Netflix, which is now in 190 territories worldwide, has been criticised in some territories for offeringlittle local content, instead relying on American shows such as Orange is the New Black and Narcos. In Europe, it has produced big-budget series in the UK, France, Italy and Spain.
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